The Dark Pictures Anthology: House of Ashes Reviews
Knife-edge thrills delivered by a compelling cast for a truly impressive horror.
Great monsters, stunning locations and a quality mystery makes this one of Supermassive's best.
The Dark Pictures Anthology: House of Ashes is Supermassive's best horror game since Until Dawn made it famous.
The best thing I can say about House of Ashes is that its story didn’t make me feel betrayed in the end. There is no “it was all a dream” twist that creates a dozen plot holes, and it doesn’t pull away from the supernatural elements at the last second to reveal that the characters were hallucinating. Rather, it uses its monsters to connect together its themes and create a closed loop that only the best horror stories can effectively execute. For once it feels like The Dark Pictures bit off exactly as much as it can chew, and House of Ashes is so much better off for it. This is where I would recommend newcomers start with the series, and it's a great indicator that the anthology is just going to keep getting better.
A lackluster military versus monsters soap opera that just about redeems itself with an extravagant final third and unmatched co-op mechanics.
House of Ashes doesn't always land but it can be an exciting "check your brain at the door" thriller. Its largely toothless scares will disappoint horror fanatics while inviting a broader audience
House of Ashes doesn’t make any great leaps in gameplay or structure, but in terms of narrative, it relentlessly swings for the fences. There are times when the writing doesn’t quite land, but the awkward moments rarely stick around for long thanks to the game’s expert pacing. It’s a fantastic horror social experience, just in time for Halloween, and it’s enough to get me back into the deep lore and hidden secrets of the Dark Pictures Anthology.
House of Ashes offers cinematic horror and surprising character moments amidst the conflict of the Iraq War.
There's a lot to like in House of Ashes. It can look great (but also a bit ropey at points), the acting is largely excellent, and your actions (or lack of) can really impact the story. Yet, the game element is lacking, which in turn makes the gameplay sequences where you're in proper control end up lacking in scares. This is a fun time, especially if played in a group or online with a friend, but I was more afraid of button prompts than the monsters.
The Dark Pictures Anthology still needs to iron out a few things before it can produce a truly classic entry, but thanks to a strong and fun story with a lot of twists, welcome difficulty options and stronger choice-based gameplay, House of Ashes shows the series is still striving to make notable improvements when it comes to crafting scary and entertaining tales.
The Dark Pictures Anthology: House of Ashes is the franchise's best entry yet, acting as a playable horror film. But it still shows room for improvement.
House Of Ashes gets closer to being a silly 00s survival horror than previous Dark Picture Anthology games, but it's still trying to be too serious for its own good, especially with the paper-thin political theming.
Overall, I consider it another fine addition in the series that I’ve enjoyed ever since Until Dawn. Some of it is getting old in terms of being too familiar, but the writing and the storytelling is always superb — for horror game purposes.
A tense, action-packed tale that feels completely different from what you've come to expect from The Dark Pictures Anthology so far.
If only House of Ashes were possessed with something malevolent enough to actually scare us; sadly, it commits a litany of sins, none of them original.
Supermassive has an incredible talent for creating gripping narratives of a horror persuasion, and despite some technical bumps in the sand, my retrospective opinion on House of Ashes still remains the same: It’s a bloody good creature feature. I often thought that House of Ashes would make a better film or television series because of its layered narrative, but then I remembered the fun I had weaving my own outcome, navigating the sheer scale of the game, and using parkour mechanics over nearby obstacles.
The formula works and is fun, even if it begs for a little more interaction. One of the best installments of the anthology so far.
Review in Spanish | Read full review
The new installment in the series got its horror stripped down to a level that probably won’t make you hesitate to play it alone at night, it will get you through a story that escalated fast to uncover a big lore that was weirdly shortened to end the story. Even though it was fun sometimes, House of Ashes is a broken mirror of what it could have been.
Review in Arabic | Read full review
All told, “House of Ashes” is a notable step in the right direction for The Dark Anthology series. Technical issues aside, it crafts a compelling story that’s fun, campy and terrifying in equal measures. Every installment is inevitably compared to the benchmark set by “Until Dawn,” and it’s clear Supermassive Games has learned from the lukewarm reception and criticisms of “Man of Medan” and “Little Hope.” “House of Ashes” comes close to “Until Dawn”-level quality, and for the first time after finishing a game in this series, it has me genuinely excited to see the next entry.
House of Ashes is not for everyone, but it is still recommended as a purely narrative experience. It has some shortcomings but also has the ability to hook you to the story from the first moment. Logically, the gameplay is practically nil and, in the end, it is a movie made video game. But a very entertaining film.
Review in Spanish | Read full review