Transistor Reviews
Transistor is a rare breed of game where there is not much else to compare it too. It is a shortish adventure but is so well designed that you will most likely want to jump straight back in and unlock that last trophy (yes it has a platinum!). I enjoyed it more than Bastion and can only hope it will lead to a sequel from Supergiant Games.
The Bastion followup has intriguing characters, great gameplay and a murky story.
So yes, Transistor is slow and annoyingly coy. You shouldn't have to play it twice to perceive all of its lovable quirks. Playing it twice, though, is still preferable to not playing it at all.
Beautiful, stylised and interesting. In a world of stale games Transistor takes all that was good from the loved Bastion but makes enough changes that it stand out on its own.
But it's so damn short. Red's epic lasts just a few hours. New Game + promises to carry over my progress and beef up the Process accordingly, and the Sandbox still hides challenges, so there's replayability here. Still, I want more time with Red and her endearing sword. Transistor is too good to end so soon.
All in all, the stellar concept and artistic style of Transistor is nigh-on unparalleled. The mystical aura surrounding and permeating the entire game is original and attractive, the blending of real-time and turn-based gameplay is inspired (and yeah, it works exceedingly well), and there's a surprising amount of humanity injected into this otherwise sci-fi presentation. I don't like some of the stumbling blocks they purposely throw in your way, as they speak more to the action side of the game (and I prefer the strategic side), and above all else, the potential of the game is just so much…more.
Transistor is just one of those games that you have to play. I couldn't cover everything because that would ruin the experience; and believe me, you want that experience. While no game can truly live up to insane amounts of hype, this game comes pretty close. Every aspect blends almost perfectly into the style and story.
There's a certain master stroke of genius to Transistor. It's in the way that the city is elaborately dappled to life with dark colours at the onset, yet fades away into a white emptiness. It's an almost Shakespearean-styled tragedy that slowly conjures up catharsis out of the hearts and emotions of its players, and collides with an intertwining of Ayn Rand's ideas around objectivism. Many call Supergiant Games a video game developer, but not me. I call it an artist and Transistor is its work of art. It starts with a oil painting still, filled with beauty, intrigue and mystery. What would happen if you could step inside?
Transistor is a really spectacular experience. It provides a great story, a unique weapon, and a combat system that can be as simple or as complex as you want. Throw in the splendid graphics and the impressive soundtrack and you'll have a great time. While the regular adventures may become a bit tedious, you can always relax in the backdoor area and engage in its different challenges. The boss fights can also feel a bit cheap sometimes, but they're still pretty good.
Transistor is masterful. You'll come for the astonishing art direction and thoughtful storyline, but stay for the sensational combat that continually offers new opportunities and challenges long after your first playthrough comes to an end.
Just as I see Supergiant's uneasiness exercised in the mechanics and themes of Bastion, I cannot help but find Transistor's obsession with performativity a bit telling of its creators' desire to break the sophomore slump.
Everything about the game shows it has been made with love and affection, it has the visuals to impress anyone that lays eyes on it, but also some really well balanced gameplay to dig its claws in and keep you hooked.
Transistor is an early contender for one of the most engaging games of the year. It isn't Bastion 2, since it's more of a straight RPG than an action game, and the tone, characters and setting are quite different. It manages to craft an engaging and exciting RPG experience mixed with a simple but curiously enticing story, and its biggest sin is being over too soon. It won't necessarily appeal to all of Bastion's fans, but Transistor shows that Supergiant Games isn't just a one-hit wonder and is capable of crafting an entirely different kind of game experience that is still exciting and delightful.
Despite following in Bastion's footsteps, Transistor doesn't quite manage to deliver as compelling and memorable an experience, even though it has clearly been crafted with such heartfelt intent. Whilst the premise is full of mystery and intrigue, during the course of the short story it never really draws players in as it would have many people believe after its promising start. A case of style over substance, but still a game that deserves the attention of those after something original and rather beautiful - only wait till it goes on sale first.
People were looking for a really good follow up to Bastion, and that's what they've got here. Transistor is really smart, looks and sounds great, and will leave you wanting more when it's all over.
Of Supergiant's two games, 'Transistor' is second-best. I'll always commend a studio for opting to be different, and in some ways it pays off for Supergiant, while in others it doesn't. The combat system is compelling at first, but generally not balanced enough to compel me to keep going in a second playthrough. The story is at first mysterious but eventually underwhelming, despite a strong emotional core in its two lead characters, and the city of Cloudbank shines brightly in just one way, and so feels dull after about an hour.
If you'd told me five years ago that a game of this scope, and this level of polish, would come out of a twelve-person indie studio, I'd have thought you were nuts…but here we are. Transistor is easily one of the best things I've played so far this year, and in a field of games made by hundred-person teams and with hundred-million-dollar budgets, that's an extraordinary feat.
As pretty as the game looks and sounds, it just doesn't make up for shallow gameplay and a story that really fell flat for me in the end. At least I was able to complete it in six hours, so the tedium didn't last for that long.
There's not a single area in which Transistor doesn't shine beautifully. It is objectively short and very linear which many will see as a negative, but it really works to make a tight package in Transistor's case.
Between the somewhat different way that its story and details reveal themselves, the terrific music and visuals, and the custom-catered abilities you’ll use in challenging combat Transistor is a satisfying cyberpunk romp. No matter how powerful you may feel the Process continues to send new enemies and scenarios at you so you’ll need to experiment and adapt, keeping everything engaging throughout. While the story feels like it’s over a bit too soon it’s a satisfying ride and if you want even more challenging combat you then always have the Sandbox and New Game + to indulge in.