I Am Dead Reviews
There isn’t much challenge or strategy with I Am Dead and honestly, there really doesn’t need to be. It’s more about the sights and the people we meet along the way, it goes to show that even after we’ve passed on we are never truly gone, our stories, our legacies will be remembered by the people around us, sometimes even for centuries. The design of the world is incredibly basic, with a simplistic vector style that doesn’t even have any shadows, but honestly, I don’t hold that against the game.
I Am Dead takes pains to emphasize that death is not the end for anybody, so much as a transition into something else. It’s a comforting sentiment and a refreshing take on the grisly finality the death is normally viewed with in games. While it’s far from the first story-driven game to examine the concepts of our own mortality, I Am Dead‘s approach to exploring what it means to have lived and died is both quaint and uplifting, and it makes staring death in the face a surprisingly pleasant affair.
Traveling is going to a distant place in search of new experiences, but it is much more than that. Through a handful of sensory stimuli like sounds, I Am Dead is an experience that reminds us that many absences are still abysses of pain in our memory, because they left us unable to give them a proper goodbye. It also claims through its mechanics the layers of personality, from habits and lifestyle to what is beyond people. But above all, it has a special vocation for conviviality and love.
Review in Spanish | Read full review
I Am Dead is a hidden object game where players can get as much or as little out of it as they wish. Those following the story will find a short but simple game, perhaps too simple for some. The secondary objectives add more to do but seem like a compromise to keep adventure veterans entertained seeing as they carry very little reward. Away from the gameplay, I Am Dead dances around the raw emotions of death but deals with its impacts in a pleasant way. All living things must come to an end but memories can live on and have an impact on the future. Whether this game will be remembered in the future remains to be seen.
I Am Dead's personal tales and charming setting make it a touching exploration of life after death.
Morris may be dead, but there's no denying that Annapurna Interactive's knack for publishing charming video games with unique gameplay is alive and kicking. Beyond its unique flavour of puzzle, there's a vibrant world full of characters who can't wait to share their stories. If you have the patience to do so, it's well worth hearing them out.
As well as the main quest of finding each ghost, each location contains numerous mini spirits called Grenkins, which have you moving certain objects into particular positions in order to find them. It's a neat way of adding collectibles that has you using the core mechanic in a different way. There's also Mr. Whitstable's riddles, which add a little challenge to each level. He'll give you a set of clues, and they each pertain to a specific thing in that stage, and could be anywhere. Sometimes the clues are too obtuse, but with thorough exploration and a little lateral thinking, the riddles add some substance to a rather breezy game. Wonderful art and relaxing music make the cherry on top of a unique and heartfelt cake.
Ricky Haggett's I Am Dead offers a nice walk on a fictional island through the eyes of the recently deceased Morris Lupton, hoping to find a new Keeper to prevent a volcan's eruption. With it's dog Sparky and a clever mecanic of zooming into almost every item, house or people you can see, I Am Dead is a short but relaxing puzzle-adventure. We simply hoped the extra challenge was more rewarding.
Review in French | Read full review
A very interesting game indeed, I Am Dead isn't top-tier indie magic but it's a hide-and-seek sandbox that will reward you the deeper you go. It's refreshingly content-rich, what with the Grenkins to find and riddles to solve for committed players. An appealing sense of place and strong visuals are only spoiled by some misplaced attempts at quirkiness and some minor control issues. Overall, though, I Am Dead makes us long for the sweet embrace of the reaper. Wait, no. It's just a rather enjoyable game. That's it. Not that other thing. Good god.
It’s the narrative and world around you that will keep you playing I Am Dead. The actual gameplay – seeking out objects by manipulating your environment – can feel rather monotonous rather quickly. If anything, I Am Dead feels like a more mature, more evolved take on the hidden object genre, and so it won’t appeal to everyone. But thanks to wonderfully-told stories and a bizarre but delightful mix of fantasy and grounded reality, this is a short adventure that’s fun while it lasts.
There’s absolutely no challenge in I Am Dead, aside from the easily missable riddles. I understand that some games are about the journey and not the challenge, but most of I Am Dead is a bore.
Although buoyed by pleasant presentation and a warm atmosphere, I Am Dead's lackluster main puzzles make this a more reserved recommendation.
Spending time with the citizens of Shelmerston is incredibly charming and makes I Am Dead worth a look. With an unsatisfying conclusion and gameplay, which quickly grows a bit one-note, however, this won’t be a game for everyone. Still, if you want a charming little game to spend a quiet afternoon with, you could do far worse.
MRIs and chandleries and lobster pots and seaside museums - what a game
I Am Dead explores the afterlife with an adventure filled with puzzles and exploration, which quickly falls into repetition with a lack of imagination, despite being a game with its heart in the right place.
Review in Portuguese | Read full review
I would love to visit the charming island of Shelmerston. Clearly a lot of thought was put into this game and it is enjoyable to discover that. Unfortunately, I Am Dead’s repetitive gameplay, awkward controls, and short story that left me feeling discontent made me overall a bit disappointed.
Likewise, as you listen to the stories of the locals (all voice-acted very well, to various levels of eccentricity) and gradually uncover the history of Shelmerston, you realise how much everyone who lives there really loves the place. The love is deep in their very bones, and it makes you love it too. For the six to eight hours it took me to reach the end credits, it even fooled me into thinking I liked my own hometown, which is not true. I hate where I’m from. That’s okay though, because I choose to be from Shelmerston now.