Close to the Sun Reviews
Leave it to a game focused on Nikola Tesla’s boundless imagination to seldom demonstrate the same kind of inventive spirit.
Maybe the most damning thing I can say about Close to the Sun is that the main story it’s so interested in telling—the story that everything else on the Helios funnels you back toward—just isn’t the least bit surprising. All of it borrows pretty heavily from the BioShock playbook, and all of the plot points it trots out have been done better (and far more shockingly) elsewhere. The portrait of Tesla it presents seems conflicted—and I hoped Close to the Sun would attempt to close the distance between the egomania that would prompt a man to build statues of himself and the gentle humanity Tesla shows elsewhere — but the game doesn’t do anything to dig into those contradictions. That’s the consequence of all those chase sequences. Close to the Sun just doesn’t have the time to dig into anything. It’s got somewhere else to be.
Close to the Sun is just not that great of a game. The low price certainly works in the game's favor, but even then, it is difficult to recommend without considerable hesitation. The setting, the concepts, and the ideas presented are all fantastic, but the actual execution, the simplified gameplay, and the lack of resolution on multiple plot points left me very disappointed.
Close to the Sun is a lackluster and subpar example of first-person immersive horror. It fails to realize its potential by relying on cheap scares and gore without strong atmosphere and narrative to back it up. You can find better.
It seems like the narrative is supposed to carry the day, what with the gameplay being rather uninspiring. However, after a little under five and a half hours, I got an ending which left several plot points unresolved and felt like sequel bait. There’s little reason to go back to it, outside of finding the collectibles. Even then you can’t see them outside of when they’re picked up, so it’s just for those desperate to say they accomplished everything. In the end Close to the Sun is a competently made game, but one with more style than substance. Its backstory and setting end up being the most engaging parts, with little else to keep the player slowly jogging deeper into the bowels of the Helios. For $30, there are more fulfilling and better executed experiences to be had.
Close to the Sun's art direction, themes, and basic ideas are going to draw many in, but once the story gets started and the gameplay fails to advance, they'll be trying to jump overboard.
Close to the Sun is a game that’s only remarkable for its scenery. And it’s a shame, really, as the Helios could have carried a great tale. As it is though, while there’s nothing about Close to the Sun that’s broken, there’s nothing compelling enough to make it worth your while, especially with its short run time and lack of replayability.
Taking clear inspiration from the seminal BioShock series, Close to the Sun promises much but delivers a somewhat lacklustre exploration of a world 'enhanced' by Nikola Tesla's fascinating vision. The horror is ramped up with a tense and unsettling atmosphere, but cheap and repetitive jump scares lower the tone and the rudimentary puzzle sequences provide little in the way of real challenge. To make matters worse, the Switch is far from the ideal system to contain such a visually striking game; while the Helios remains a sight to behold, there's little here to warrant jumping aboard.
The lack of interactivity and emotional connection, the ease of gameplay, and the almost total absence of replayability unfortunately prevent the Italian studio from flying high towards the sun.
Review in Italian | Read full review
Close to the Sun could've been a really cool adventure game, but boring riddles and predictable plot with a crumpled finale are like a cold sobering shower to the player.
Review in Russian | Read full review
Conceptually at least, Close To The Sun is actually a really intriguing game. Combining elements of Bioshock, Sherlock Holmes and first person horrors, Close To The Sun attempts to capture the same wonder found in those titles but fails to really capitalize on that as well as it perhaps should. Admittedly, the opening few chapters are pretty good at building up the tension but soon after the game devolves frustratingly into a series of chase sequences and puzzle-platform sections that don’t always work well with the narrative.
Close To The Sun is a walking simulator game with interesting storytelling. The story is interesting but that's all
Review in Turkish | Read full review
Bioshock-ish walking simulator. You will remember its nice visuals and disappointing ending.
Review in Russian | Read full review
A frequently beautiful and atmospheric horror effort boasting an evocative setting, Close to the Sun finds itself almost wholly undone by plodding exploration, eye-rolling puzzles and detestably sloppy chase sections that utterly fail to exploit the game's strengths.
An interesting premisal that becomes less and less interesting while you advanced in this 4-5 hours horror adventure, that doesn't excels at anything.
Review in Spanish | Read full review
At the end of the day, Close to the Sun is the exact opposite of what its name implies. It's not aiming for the sun, and while that also means it doesn't get burned by it, it's such a safe distance away that it doesn't feel like it's even trying. It's unfortunate to say for such a pretty, atmospheric game, but the superb presentation and a decent story are contradicted by slow gameplay that doesn't deliver the satisfaction that the setup deserved. Even at a highly reduced price, Close to the Sun had a lot of promise but ultimately fails to create a memorable experience due to its unengaging and bland gameplay.
Simple puzzles and bland chases prevent Close to the Sun from living up to its numerous inspirations. While the game has a decent retro style and an intriguing horror narrative, it never makes the player a true participant.
Close to the Sun has a great premise and gorgeous graphics. However, the execution falls short due to the short plotline, use of jump scares, and clunky movements.
I don’t know how simply I can put this: Close To The Sun is brilliant. I’ve already gone back to play it and I’m still getting caught out by the jump scares and the wrong-turns when being chased. It’s bloody fantastic. The game encompasses all of the best parts of survival horror games, brings to life alternate realities with adaptations to non-fictional characters such as Tesla and his wacky inventions, and really grips you with the storyline. If you haven’t already got hold of it, go and get it. However, I can’t just let the graphical deficiencies slide, so as much as I like the game and I do recommend it, I’ll be giving Close To The Sun a Thumb Culture Silver Award!
Close to the Sun wants to be Big Important Art, but it tries so hard to be Big Important Art that it undercuts itself.